University of Udine

DIpartimento di Studi UManistici
e del patrimonio culturale

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Alessandro Russo

Vuoi davvero lasciare ai tuoi occhi solo i sogni che non fanno svegliare?

F. De André

Russo-ritratto

Alessandro Russo

La Camera ottica


  • Technical staff
  • Tel.: 389 9923573
  • Email: alessandro.russo@uniud.it
  • Office: Palazzo del Cinema – Piazza Vittoria, 41, Gorizia

Alessandro Russo

La Camera ottica


  • Technical staff
  • Tel.: 389 9923573
  • Email: alessandro.russo@uniud.it
  • Office: Palazzo del Cinema – Piazza Vittoria, 41, Gorizia
Russo-ritratto

Vuoi davvero lasciare ai tuoi occhi solo i sogni che non fanno svegliare?

F. De André

After high school, I obtained a first degree in Technologies for the Cultural Heritage and a second degree in Sciences of the Materials for the Cultural Heritage, both at the University of Turin. For several years, I subsequently carried out research activities at the laboratories of the Centro di Sonologia Computazionale (CSC) of the University of Padua, Department of Information Engeneering. My focus there was researching the multimedia cultural heritage, with particular attention to the methodologies for digitisation, restoration and active preservation of audio documents of historical-artistic significance, by teaming up with various archives and bodies active in Italy and abroad.
I am currently a technician at the laboratory La Camera Ottica in Gorizia, within the framework of the protection and digitisation of audio and film materials. I am also a member of the working group dealing with the Hera JRP Visual Culture of Trauma, Obliteration and Reconstruction in Post-WW II Europe (VICTOR-E) project.

Publications

Active preservation of analogue audio documents: A summary of the last seven years of digitization at CSC

in: S. Spagnolo, A. Valle (curr.), Proceedings of the 17th Sound and Music Computing Conference (SMC), Torino 2020 (con N. Pretto, F. Bressan, V. Burini, S. Canazza, A. Rodà), 394–398.

L’informatica per la gestione e la conservazione di informazioni acustiche (musica e voce)

Studio AISV 6 (2019) 453-464 (con N. Pretto, A. Rodà, S. Canazza)

Active preservation of the audio documents by Luciano Berio

Mitteilungen der PSS 32 (2018) 20–25 (con S. Canazza, N. Pretto, A. Rodà)

PAMU: A Multimedia Park to Enhance the Renaissance Walls of Padua

DisegnareCon 11/21 (2018) 7.1–7.19 (con E. De Feo, E. Venier, M. Breschigliaro, N. Pretto)

Audio Documents Restoration as a Documentary Source in the Linguistic Research: Comparison of Instruments

in: A. De Dominicis (cur.), Speech audio archives: presentation, restoration, annotation aimed at supporting the linguistic analysis, Roma 2018, 117–138 (con A. Rodà, S. Canazza, P. Cosi)

Il caso dell’Archivio Storico del Teatro Regio di Parma: verso una metodologia condivisa per la Conservazione Attiva di documenti sonori

in: A. Terzaroli e A. Valle(curr.), Atti del XXI Colloquio di Informatica musicale. Cagliari, 28 settembre–1 ottobre 2016 (con V. Burini, S. Canazza, A. Rodà)