Università degli Studi di Udine

DIpartimento di Studi UManistici
e del patrimonio culturale

DIUM - Dipartimento di eccellenza 2023-2027 MUR MENU

Martina Visentin

Visentin-Ritratto

Martina Visentin

Museologia e critica artistica e del restauro (ARTE-01/D)


  • Ricercatrice
  • Tel: 0432 556174
  • Email: martina.visentin@uniud.it
  • Studio: Palazzo Caiselli, second floor, room L2-13 (Laboratorio LIDA e Fototeca)
  • Insegnamenti: History of Art Techniques and Restoration; Diagnostics and Restoration Techniques

Martina Visentin

Museologia e critica artistica e del restauro (ARTE-01/D)


  • Ricercatrice
  • Tel: 0432 556174
  • Email: martina.visentin@uniud.it
  • Studio: Palazzo Caiselli, second floor, room L2-13 (Laboratorio LIDA e Fototeca)
  • Insegnamenti: History of Art Techniques and Restoration; Diagnostics and Restoration Techniques
Visentin-Ritratto

After obtaining a PhD with a thesis dedicated to the activity of Pietro Selvatico (with particular focus on the periodical press), I continued my studies relating to the history of the cultural heritage and the application of the digital humanities to research activities in the fields of Art History and Criticism.

I am currently a Research Fellow in Critical and Conservation History of Wood Wculpture, an artistic production that strongly characterizes the regional territory. I also followed the same path also in the context of previous research grants - more specifically, I dealt with the history of the perception of monuments and art objects, mostly with regard to their identity value. Among the research topics I investigated, I can mention the History of Restoration through the development of specific technical languages at regional level; the institutional issues connected to the preservation and protection of cultural heritage in post-unification Friuli; and the protection (or loss) of artistic objects in the course of the two World Wars. I also took part in various projects within this same research line; more recently (2017–2020), I was a team member of the HERA Joint Research Programme - Uses of the Past Transfer of Cultural Objects in the Alpe Adria Region in the 20th Century, (Project Leader: Zentralinstitut für Kunstgeschichte, Munich).

As far as Digital Humanities are concerned, I am the technical manager of the Computer Lab for historical-artistic documentation and of the departmental Photo Library: in this context, I deal with the development of databases for reasearch and dissemination, also in cooperation with other universities.

Among the projects I participated in, the most relevant are: InfoBC. Informatica e web per i Beni culturali (a three-year project funded by the Autonomous Region of Friuli Venezia Giulia, LR 26/2005); La ricostruzione virtuale di un archivio disperso. Storia della tutela in Friuli Venezia Giulia: 1866–1922 (a two-year project funded by the Autonomous Region of Friuli Venezia Giulia, LR 19/2004).

Pubblicazioni

La ‘Kunstschutzgruppe’ dell’esercito tedesco durante l’occupazione (1917–1918). Nuovi documenti

Accademia Scienze Lettere e Arti di Udine 109 (2018) 35–48

La scultura lignea in Friuli. Percorsi di critica e di gusto

in: G. Perusini (cur.), Scultura lignea tedesca in Carnia, Canal del Ferro e Valcanale dal Tardo Gotico all’Ottocento, Udine 2018, 227–248

L’archivio fotografico di Giuseppe Marchetti dei Civici Musei di Udine. Una storia delle arti del Friuli

LUK, vol. nuova serie 23, 107–118

Vicende di tutela in Friuli tra Ottocento e Novecento

Udine 2014 (con M. Mozzo)

Pallucchini alle Gallerie Estensi. Restauri e restauratori: Enrico Podio e Giovanni Forghiero

in: C. Lorenzini (cur.), Rodolfo Pallucchini (1908–1989): storie, archivi, prospettive critiche, Udine 2019, 195–220